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Luna Park, the Image of a Funfair Luna Park is a landmark amusement park located on the Harbour shore in Sydney Australia. It was built in 1935. This thesis examines this site through the photographs of E. A. Hopkins. Mr. Hopkins worked at Luna Park from 1935 to 1971. Initially he was an electrical engineer but by 1971 he was a co-owner of the Park. Additionally, during this time he made a systematic and insightful photographic record of the many iterations that the Park experienced over this time. These images are reproduced in the thesis. There are approximately 300 images and 100,000 words of text in the thesis. This CD ROM is a pdf
version of the author’s PhD thesis conducted at the University
of Sydney, Department of Architecture, 1997. In addition to the
text and images there is also a quick time movie which shows the
author photographing the Park in 1991. ABSTRACT This thesis is about Luna Park, an amusement park in North Sydney, as seen through the medium of photograhy. Part One, Luna Park, analyses the actuality of Luna Park. It also
discusses the effect it imposed on the customers who visited the
Park. The discussion is based on the view that Luna Park was not
simply a physical space, but also an image, creating in the mind
of those who visited, a complex and convoluted series of experiences
and memories. Part One also provides a brief historical overview
of the development of amusement parks in the U.S.A. and Australia
to provide some sense of the development of this form of public
entertainment. It discusses the particular combination of circumstances
that surround the genesis and successful continuation, of these
exotic environments. Introduction Part One: Luna Park Chapter 1 The Image of a Place Chapter 2 The Ancestry of Luna Park Part Two: The Luna Park of E.A. Hopkins Part Three: The Luna Park of Douglas Holleley Conclusion Methodology and Work Process Notes Bibliography List of Images The images in this portfolio are made with a camera that uses as a “lens,” some 2,500 coffee stirrers. The images address the issue of how easy it is to become distanced from God. The portfolio contains two essays: one on the nature of this distance and the second addresses the technical issues and principles behind the making of the images. There are 6 images, measuring 11"x14" in the portfolio plus a further four small images reproduced on one sheet which show the appearance of the original negatives. The sheet size of the images and the two essays is 13"x17.1."
The work is housed in a portfolio case hand made by the author. |